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The Wee Yarn Company

The Journal of Scottish Yarns - Issue 5 - Spring / Summer 2024 [print & digital]

The Journal of Scottish Yarns - Issue 5 - Spring / Summer 2024 [print & digital]

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Welcome to Issue 5 of The Journal of Scottish Yarns, Spring / Summer 2024!

Contents:

  1. WEAVING THE EDINBURGH SEVEN Dovecot Tapestry Studios work with Christine Borland to celebrate the first women to matriculate at a British university. (by Prof Carol M Richardson)

  2. VARIEGATIONS ON A THEME Uist Wool has a passion for the natural colours of fleece.

  3. FAIR ISLE ON FAIR ISLE Barkland Croft takes knitting traditions back to source. 

  4. FLOCK TO SOCK Glenesk folk museum in Angus is rediscovering kilt hose. (by Julie Cave, Museum Officer)

  5. A DELICATE FUTURE Shetland lace knitting is on the red list of endangered crafts. (by Elizabeth Williamson)

  6. REVIVING TEXTILE TALENTS Creation Mill tackles isolation and supports textile skills in Dumfries and Galloway. 

  7. CRAFTING MATHS Knot Unknot: The abstract art behind knitting and crochet. 

  8. CHARTING AGE-OLD SEAS Photographs from The Wick Society inspire gansey designs. A tribute to Gordon Reid. (by Sara Wolf)

Patterns:

Knitting:

  • REBECCA CLOW,  THE CREABEA Myrtle Waistcoat:  A statement vest for dressing up or down, made in Shilasdair Anam DK.

  • KELLY ORDEMANN, MADE BY KELLY O Pathfinder Top: A knitted tee made in wool for Scottish summers, made in Ginger Twist Studio Masham Mayhem 4-ply.

  • SYLVIA WATTS-CHERRY, WITH CHERRIES ON TOP Isla Top: A lace pattern inspired by Scots pine trees creates this light summer top, made in Cookston Crafts Alpaca/Silk/Cashmere 4-ply.

  • SOLVEIGH LASS-EVANS, IOLAIR YARN Common Blue Shawl: Colours and shapes of a butterfly motif inspire this kite shaped shawl, made in Iolair Yarn Luing or Woollenflower Twig 4-ply.

  • ALISON MAYNE, KNITROSPECTIVE Cluny Cowl and Wrap: Options for three cowls and a long stole show off handdyed colours, made in The Woolchemist 4-ply Merino Linen.

  • ELIZABETH WILLIAMSON KNITTING Da Slockit Light Shawl: Traditional Shetland Lace pattens and techniques with instructions for two sizes, made in Jamieson & Smith 2-ply Lace Weight.

    Crochet:

  • FAY DASHPER-HUGHES Kin Jumper: A striking two row repeat creates a versatile crocheted jumper made in Aister 'oo' Shetland wool.

  • SAMIRA HILL, EILDON HILLS DESIGNS Lammermuirs Crochet Top: A top-down crocheted summer top, made in Flora Fibres Tencel DK.

  • MERRIAN HOLLAND, MEZZACRAFT Gothic Wrap: Textures and colours combine in this modular wrap, made in Choufunga 4-ply merino sock yarn and Float Your Goat mohair silk from My Mama Knits.

    Other craft:

  • SUNSHINE STEWART,  AT BIRKHILL HOUSE Peg Loom Mat: Instructions for making a seat pad or small rug using an ancient weaving craft. 

When you purchase a physical copy of the journal, details of how to obtain a free digital copy using a unique code are included with the delivery (found inside the back cover).

ISSN 2753-2801 (print)

ISSN 2753-281X (online)

GPSR Compliance:

Manufacturer Contact Information: The Journal of Scottish Yarns, 19 Blackford Hill Grove, Edinburgh, EH9 3HA, UK, Email: yarnsjournal@gmail.com

EU Authorised Representative Information: Easy Access System Europe, Mustamäe tee 50, 10621 Tallinn, Estonia, Email: gpsr.requests@easproject.com

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Important Information when purchasing our yarns.

When purchasing hand dyed yarns, we recommend you purchase a sufficient amount of yarn for your project.

We sell handmade products that get produced in small batches. We always use the same recipes for repeatable colorways and work very precise measuring our materials. However, it's impossible to guarantee two skeins will ever look the same. With hand made products there is always some variation on the end product.

If you want a uniform result with the end product you are making, with knitting, crochet and weaving, alternate skeins once rows. If using fiber, you can mix and match some of the fibers as you go when spinning or felting.

When dyeing yarn we fully exhaust all pigments before going to the rinsing step. Despite the care we put into the rinsing process, mild bleeding is common in hand dyed yarn and if you have a skein with a bright or dark color, or it contains speckles, play it safe by rinsing the skein in cold water and some wool wash and let it dry before casting on.

This listing is for one (1) skein of yarn unless specifically mentioned otherwise. Photos of multiple skeins shows a comparison between yarn bases and/or skeins. Colorways may slightly vary depending on the screen due to your display settings.

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