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The Wee Yarn Company

The Journal of Scottish Yarns - Yarn Issue 8 - Pre-Order

The Journal of Scottish Yarns - Yarn Issue 8 - Pre-Order

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Please note this is a pre-order and orders will ship as soon as the books have arrived: likely end of November/beginning of December. 

Welcome to Issue 8 of The Journal of Scottish Yarns!

Issue 8 is all about cosy colour with stories of some strong Victorian women too! Plus Castlemilk Moorit and Scottish Blackface sheep, indigo dyeing at Glasgow's Botanic Gardens and contemporary artist Alice-Marie Archer on her knitted pieces as part of the V&A Dundee's Garden Future exhibition:


Knit Designs:

STRAIKEN VEST, EMMA MCLELLAN Corrugated rib creates a comfortable corset silhouette with endless colour possibilities. 

OXO JUMPER, LIZA LEWIS An all-over colourwork jumper knitted in thicker wool makes a quick and contemporary layer. 

TOWER HOOSE WALL BEANIE AND MITTS, LOUISE MOSSOM A multi-coloured beanie and matching fingerless mitts, inspired by artist Richie Collins. 

CANNA CARDIGAN, SAMIRA HILL A raglan knitted cardigan combines stripes and a slip stitch pattern. 

WHITEBEAM MITTS, SUE HOLT The textured leaves and berries of whitebeam trees are recreated on these elegant knitted mitts. 

DASHIKI PONCHO, SYLVIA WATTS-CHERRY Bold colourwork is inspired by a West African tunic with an embroidered neckline.


Crochet Designs: 

KIN CARDIGAN, FAY DASHPER-HUGHES An open-fronted crocheted cardigan designed to layer over winter dresses. 

MELROSE VEST, SAMIRA HILL This three colour V-neck vest is an ideal introduction to Tunisian Crochet. 

KIN CARDIGAN, FAY DASHPER-HUGHES An open-fronted crocheted cardigan designed to layer over winter dresses. 


Features:

ORIGINS OF THE CASTLEMILK MOORIT SHEEP The mysterious history of a sheep bred to decorate a country estate in Dumfries and Galloway. 

FROM KENYA TO CASTLEMILK Reviving rare Scottish sheep: Rebecca McLellan’s journey to rural life, championing Castlemilk Moorit sheep. 

BRINGING LOCAL WOOL BACK TO LIFE How Merrick Scottish Blackface Knitwear is using fashion as a force for good.  

THE VALUE OF ‘SPARE TIME’ The Highland Home Industries movement grew out of turbulent times. 

REFRAMING ‘MEDDLESOME MILLIE’ Millicent, Duchess of Sutherland, was an advocate for the rights of craft workers and the preservation of textile skills and heritage. 

THE ORDINARY,' EXTRAORDINARY JANE GAUGAIN The life of a 19th century innovator who revolutionised Victorian crafts, blending business acumen, creativity and domestic respectability in Edinburgh. 

FROM SILKS OF GAUZE TO PAISLEY SHAWLS The famed textiles of Paisley, Scotland, through the 18th and 19th centuries. 

THE INDIGO PLOT: GROWING BLUE IN URBAN GLASGOW Sharing the magic of indigo dyeing, inspired by travels and experimentation. 

KNITTING NATURE Alice-Marie Archer’s living art blends creativity and science, crafting textiles that nurture plants without using soil. 

When you purchase a physical copy of the journal details of how to obtain a free digital version are included with your print copy.

The code can found inside the back cover but if you can’t find it or need assistance, get in touch using the Contact Form.

GPSR Compliance:

Manufacturer Contact Information: The Journal of Scottish Yarns, 19 Blackford Hill Grove, Edinburgh, EH9 3HA, UK, Email: yarnsjournal@gmail.com

EU Authorised Representative Information: Easy Access System Europe, Mustamäe tee 50, 10621 Tallinn, Estonia, Email: gpsr.requests@easproject.com

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Important Information when purchasing our yarns.

When purchasing hand dyed yarns, we recommend you purchase a sufficient amount of yarn for your project.

We sell handmade products that get produced in small batches. We always use the same recipes for repeatable colorways and work very precise measuring our materials. However, it's impossible to guarantee two skeins will ever look the same. With hand made products there is always some variation on the end product.

If you want a uniform result with the end product you are making, with knitting, crochet and weaving, alternate skeins once rows. If using fiber, you can mix and match some of the fibers as you go when spinning or felting.

When dyeing yarn we fully exhaust all pigments before going to the rinsing step. Despite the care we put into the rinsing process, mild bleeding is common in hand dyed yarn and if you have a skein with a bright or dark color, or it contains speckles, play it safe by rinsing the skein in cold water and some wool wash and let it dry before casting on.

This listing is for one (1) skein of yarn unless specifically mentioned otherwise. Photos of multiple skeins shows a comparison between yarn bases and/or skeins. Colorways may slightly vary depending on the screen due to your display settings.

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